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| Godzilla and Heisenberg cross-over--kind of. |
You can see the nod at the 50 second mark in the video below and in the stills following the video.
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| Godzilla and Heisenberg cross-over--kind of. |
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| They calculated that Godzilla tail was so massive that the tip would reach super-sonic speeds |
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| Slate Magazine says Godzilla 2014 Takes it's Cues from Spielberg's Best |
It’s no coincidence that these mashups blend together so seamlessly. While Godzilla is ostensibly a reboot of the franchise started by Ishiro Honda in 1954, what it really does is break down the DNA of Spielberg blockbusters like Jurassic Park, Jaws, and Close Encounters of the Third Kind and reconstitute it into a kind of successful clone and unofficial sequel.Read the rest of the comparisons at Slate.com
Most of the comparisons to Jaws and Jurassic Park have centered on the way Godzilla holds off on showing its monster until about an hour in. This comparison is spot on: As I documented (and charted) last week, Godzilla waits about 60 minutes before the big reveal, while Jaws waits 62 minutes and Jurassic Park waits 64 minutes (before showing the tyrannosaur). And Godzilla even teases the monster in a similar way—for the first hour of the film, all we see of him (or her) is his “fins” sticking above the water, just as in Jaws. Director Gareth Edwards himself has acknowledged this bit of inspiration, but this is only the beginning of the movie’s Spielbergian aspects.
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| Jason Horton and Erin Darling talk to Max Borenstein |
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| A portion of the Godzilla poster designed by Patrick Connan |
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| You can get all three colored versions |
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| Godzilla eating the Fiat 500L in a New Commercial |
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| With a Movie Camera in Tow a Soldier walks among Destruction |
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| Ken Watanabe and Aaron Taylor-Johnson react to fat shaming of Godzilla |
Cinema Blend: Japan has had a response to our new version of Godzilla. They are calling him an American fatty.
Ken Watanabe: No way! I don't think so. Not really!
CB: It's been on Twitter. They are saying he's gotten fat on cola and pizza. (Watanabe laughs.) What are your thoughts on Godzilla? Is he an American fatty now?
KW: No. He doesn't drink Diet Coke. But no. No way.
CB: He shouldn't be ashamed of his body?
KW: No. No! He's just all (he flexes his shoulders into a muscular hunch and sneers comically, which I took to mean "he's brawny"). I like that. (Scoffs) Please."
Cinema Blend: Japan's calling him "an American fatty."
Aaron Taylor-Johnson: Fatty! Who? Godzilla?
CB: Yeah, they said that in this version, he "got fat in America on cola and pizza," "he's SuperSized," [and] "he is couch potato Godzilla."
AT-J: Wow. That’s an interesting critic, that person.
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| Godzilla 2014 Director, Gareth Edwards confirms 350ft Godzilla |
He also revealed that it's the biggest Godzilla to hit the big screen. "Technically he's 350ft in our film."
He also noted that they experimented with different sizes, making him small, huge, and dinosaur size. But then they realized that 350ft made him the biggest of all the Godzillas "So we said, 'let's do that.'"
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| Full version of the Godzilla Size Chart |
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| Graph Plotting Godzilla's Height Over Time |


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| What kind of horror does a tsunami caused by Godzilla make? |
Thematically, he wanted to explore: "Man vs nature, the fact that if you mess with nature you're going to lose."
In the film, "Man is no longer the alpha predator on this planet."
But nature wasn't the only influence on the flick. Edwards said that anime and manga played a part during the storyboard process: "When we got stuck, we'd say 'What would Akira do?'". Which, obviously, was incredibly exciting to hear.
He also revealed that it's the biggest Godzilla to hit the big screen. "Technically he's 350ft in our film."
He also noted that they experimented with different sizes, making him small, huge, and dinosaur size. But then they realized that 350ft made him the biggest of all the Godzillas "So we said, 'let's do that.'"
But there were other reasons: "We wanted him to be big, but also we wanted to be able to hide him, because that's more fun."
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| Godzilla 2014 Director, Gareth Edwards, does commentary on new Godzilla Trailer |
Two days ago, the full trailer for Godzilla roared emphatically into our lives. Today, Empire unveils a very special trailer breakdown for it, featuring the director of the film, Gareth Edwards, guiding you though the jaw-dropping footage you've seen.
Discover what Edwards himself makes of fans' guesswork - "Is that a tentacle holding a bomb?" - and try to make your own version of the roar (provided you have a double bass and a leather glove handy). Whether you're a die-hard fan of Toho Studios' finest, or just a passing movie lover, you'll want to watch this - and at the loudest volume possible.
SRC: Empire Online
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| The 1954 nuclear tests Godzilla 2014 referes to were called Operation Castle |
At about the minute mark, you hear characters explaining how mankind created its own colossal nightmare. Their explanation seems to call out actual American nuclear testing, specifically Operation Castle. Here are some lines of dialogue narrating images in the trailer:
In 1954, we awakened something.
With those nuclear tests in the Pacific.
Not tests...
They were trying to kill it.
And thus Godzilla comes back as a radioactive beast to destroy and rampage.
The nuclear "tests" mentioned in the trailer (and presumably the film) likely refer to Operation Castle, a series of nuclear tests conducted by the United States in early 1954 at Bikini Atoll. The original Godzilla film (Gojira) premiered that same year, and was cleverly critical of that kind of testing. (The critically maligned 1998 Godzilla, directed by Roland Emmerich, blamed Godzilla's wrath on nuclear tests in French Polynesia.)
SRC: The Mother Jones
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| Empire magazine's Godzilla cover (Click image to enlarge) |
"Trying to get the face right was the main thing," says Edwards. "I guess he's got more of a bear's face, or a dog's. We also used eagle. There's a lot of nobility in an eagle. It made him feel very majestic and noble." Edwards also used London-based motion-capture facility The Imaginarium and its head, one Andy Serkis, on certain sequences to "control the souls" (as Edwards puts it) of his creations.
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| This New Godzilla 2014 Poster Make G Look Bigger Than Ever (Click poster to see full screen) |
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| This is a great info graphic that shows Godzilla's growth through the years (click picture to enlarge) |
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| Click the image above to enlarge |
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| Artist Rendition of Jakks Pacific Godzilla Toy |
Warner Bros. Consumer Products has unveiled a monstrous collection of products for its forthcoming film Godzilla on the American International Toy Fair show floor, which is in full swing now in New York City.
For the classic monster property that is ready to get a fiery breath of new life May 16, WBCP has tapped Bandai America for a line up of toys. Other licensees on board include Jakks Pacific for large-scale figures and toy products inspired by the “King of Monsters,” NECA for novelty and collector toys and Sideshow Collectibles for authentic statues.
SRC: LicenseMag.com
Warner Bros. Consumer Products (WBCP) enters this year’s American International Toy Fair with an extensive lineup of global licensees in support of its entertainment properties, milestone anniversaries, and upcoming theatrical releases.
Bandai America Inc. and Jakks Pacific Inc. will each support Godzilla, from Warner Bros. Pictures and Legendary Pictures, with new toy lines. Jakks’ line of Godzilla products will include an Ultimate Large Scale Godzilla Figure with 12 points of articulation and a length of over 43 inches, making it one of the largest toys in Godzilla history. Other worldwide partners include Rubie’s Costume Co., NECA, and Sideshow Collectibles.
SRC: The Toy Book
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| Tamashii Nations Mothra, Godzilla, MechaGodzilla (Photo: TOYARK.com) |
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| The King Himself (Photo: TOYARK.com) |
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| Gigan Center Stage (Photo: TOYARK.com) |
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| Which Film will Dominate 2014? Godzilla or Captain America? |
In early January, entertainment site IGN published a poll in which Godzilla ranked as the sci-fi movie fans were most excited to see in 2014. Christopher Nolan's Interstellar ranked second at just over 20%. By contrast, among comic book films, Tim's top pick -- Walt Disney's (NYSE: DIS ) Captain America: The Winter Soldier -- ranked a distant fourth at 13.9% of the vote, trailing The Amazing Spider-Man 2 (14.3%), Guardians of the Galaxy (18.7%), and X-Men: Days of Future Past (35.2%).
What's more, recent Google Trends data shows that Godzilla, co-produced by Legendary Pictures and Time Warner (NYSE: TWX ) , has enjoyed impressive search volume in the days following a new trailer or other news event. And yet, between the two, Tim still believes the Winter Soldier has an edge.
Why? He cites two reasons. First, a new trailer for the movie has been viewed more than 13 million times in less than two weeks -- a stunning number when you consider that a preview for The Amazing Spider-Man 2 has earned less than 4 million views over the same period.
Second, with an early April release date, the new Captain America gets a month in theaters before the next round of would-be comic book and sci-fi blockbusters reach audiences. The extra space should give the film time to generate momentum, Tim argues, a luxury Godzilla won't have when it launches between the debuts of Spider-Man and Days of Future Past.
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| Cover art for Godzilla: The Art of Destruction, a "making of" book about Godzilla 2014 |
Published to coincide with the release of Warner Bros. and Legendary’s Godzilla, directed by Gareth Edwards, this visually stunning book presents an extraordinary new vision for the beloved character through a dynamic selection of concept illustrations, sketches, storyboards, and other pre-production materials. Godzilla: The Art of Destruction is the definitive book on one of the most anticipated films of 2014. Featuring interviews with the director and key crew and cast members, the book tells the complete story of the making of Godzilla from concept to final frames. Comprehensive and enthralling, Godzilla: The Art of Destruction is a book that no fan will want to be without.
Godzilla is a trademark of Toho Co., Ltd. The Godzilla character and design are trademarks of and copyrighted by Toho Co., Ltd. Used with permission. All Rights Reserved. © Warner Bros. Entertainment Inc.
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| No army can stop Godzilla |
Truthfully, very little is known at this point about Edwards’ upcoming adventure that brings Godzilla back to the big screen after ten years – and that’s the way the filmmaker prefers it.
What we do know, however, is that the film will offer up a new origin story for Godzilla, who will once again play the role of a force of nature far beyond humanity’s control. Legendary Pictures’ official synopsis for the film indicates that Godzilla won’t be the only monster in the film, either. According to the studio, Godzilla will be pitted against “malevolent creatures who, bolstered by humanity’s scientific arrogance, threaten our very existence.”
“We’ve taken it very seriously and the theme is man versus nature and Godzilla is certainly the nature side of it,” said Edwards in a July 2013 interview. “You can’t win that fight. Nature’s always going to win and that’s what the subtext of our movie is about. He’s the punishment we deserve.”
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| Yes, Elizabeth Olsen, Godzilla is huge! |
The first teaser for the new Godzilla update was the most-viewed coming attraction on YouTube for the week ending Jan. 26.Since Zefr used to be MovieClips, and still owns the YouTube channel MovieClips, it is no coincidence that the YouTube video the article points to is the MovieClips version (as opposed to the Warner Bros. version). So watch the embedded MovieClips version as well as the MovieClips Instant Trailer Review.
The trailer recorded 4.8 million views on YouTube, according to technology company Zefr, which tracks the numbers. The flame-throwing monster's preview has notched 27.8 million total views since its release on Dec. 10. The movie starring Aaron Taylor-Johnson and Elizabeth Olsen opens May 16.
New coming attractions held the second and third spots in the week's rankings of the ten most-viewed trailers. At No. 2 was the third trailer for 300: Rise of An Empire with 3.1 million views. The movie's first trailer has notched more than 46.8 million views since arriving in June. The swords-and-sandals epic hits theaters the first week of March.
Maleficent's new "Dream" trailer placed third, with 1.7 million views. The Angelina Jolie-Elle Fanning spin on the classic story of Sleeping Beauty opens May 30.
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| Forbes Columnist, John Furrier, Thinks Godzilla 2014 Will Flop |
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| He put it in quotes, so he was trying something. Gojira? |
(#1 To Fop) Godzilla. Hands down, “Godzilla” will be the biggest box office bomb of 2014. Godzilla as a character is box office poison. The fact is the last 3 Godzilla movies released domestically have flopped: “Godzilla 1985” made $4M; “Godzilla 2000” made a whopping $10M and the last attempt at a Hollywood-style big budget remake, also called “Godzilla” bombed so bad that its lead toy licensee went bankrupt. Had the movie made a profit the studio wouldn’t have just let the rights expire in 2003 without even attempting a reboot or sequel. They had 5 years to make a new film based on this property yet they passed. Think about it—Sony, the studio that greenlights sequels to most anything—”Resident Evil 6″ is on the horizon and don’t forget about “Underworld 5″—walked away from investing another cent in Godzilla.
Moreover, the last Godzilla movie produced was a decade ago—“Godzilla: Final Wars”—and that bombed so hard that the studio, Toho, Co. Ltd., put the entire franchise on ice. That movie cost $20M and made $12M in Japan and had the lowest admission numbers for a Godzilla movie in nearly 30 years. Following that bomb, the film’s director, Ryuhei Kitamura, has been cranking out budget-rate horror slasher flicks ever since—choice fare like “Midnight Meat Train” and “No One Lives.” bbr
Aside from Godzilla, the giant monster genre as a whole is anemic. “King Kong” flopped, despite having Peter Jackson at the helm; “Pacific Rim” bombed, despite having umpteen giant monsters battling on screen; “Gamera the Brave,” about a lumbering giant turtle monster, delivered weak numbers at the box office; and if you go to the outer edges of the giant monster genre, recent films like “Jack the Giant Slayer” bombed and “Walking with Dinosaurs” flopped as well.
The bottom line is if Peter Jackson couldn’t turn “King Kong” into a mega-size box office hit, the chances that an indie film director—Gareth Edwards—attempting to make a big budget giant monster action film like “Godzilla” a global, profitable hit are essentially nonexistent.
The $160M “Godzilla” is also sandwiched between some of the summer’s sure-fire mega hits, with Sony’s the “Amazing Spider-Man 2” coming at it with strong tailwinds just two weeks before, and the double team of Adam Sandler’s latest summer comedy “Blended” and Fox’s “X-Men: Days of Future Past,” opening just one week later with strong headwinds pointing right at “Godzilla.” “Godzilla” will essentially be getting hit from all sides, and theater owners will be allocating more screens for “X-Men” and “Spider-Man” rather than take a chance on empty theaters screening “Godzilla.”
It’s also worth noting that the marketing to date for “Godzilla” has been rather weak (and nearly invisible). This appears to be continuing—and part of the plan—as Warner Bros. has elected not to feature a “Godzilla” trailer during the upcoming Super Bowl, while “Amazing Spider-Man 2” and “X-Men” are there in full force.
Considering that “Godzilla” is the last film that Warner Bros. is cofinancing with former producing partner, Legendary Pictures, we believe that Godzilla’s box office results aren’t exactly WB’s top priority at this time. Especially considering that the studio is opening up an Adam Sandler summer comedy only one week after Godzilla’s release. It should also be noted that WB is only financing 25% of “Godzilla,” so its exposure is minimal. And since the two companies have effectively divorced, we don’t expect a “full court press” on the marketing front from WB, who is distributing worldwide except for Japan. SRC: Godzilla 2014 is John Carter